Stuart Dischell
Stuart Dischell is the author of Good Hope Road, a 1991 National Poetry Series Selection (Viking, 1993); Evenings & Avenues (Penguin, 1996); Dig Safe (Penguin, 2003); and Backwards Days (Penguin, 2007). Dischell’s poems have been published in journals such as The Atlantic, The New Republic, AGNI, Slate, The Kenyon Review, and in anthologies including Essential Pleasures, Hammer and Blaze, The Pushcart Prize, and Good Poems. A recipient of awards from the National Endowment for the Arts, the North Carolina Arts Council, and the John Simon Guggenheim Foundation, he teaches in the Master of Fine Arts Program in Creative Writing at UNC Greensboro, the Sarah Lawrence Summer Literary Seminars, and in the Low
Residency MFA Program for Writers at Warren Wilson College. (updated 8/2009)
AGNI has published the following work by Stuart Dischell:
| •5 |  |
| •Azan |  |
| •Back There | |
| •“Because Sorrow is What We Own” | |
| •Boston, Winter |  |
| •Buddies |  |
| •Celestial Ode |  |
| •Compassions | |
| •Cripple's Dance |  |
| •The Door |  |
| •Drafts of “The Two” |  |
| •Echo | |
| •Ellipsis, Third or Fourth Dot, Depending |  |
| •Ellipsis, Third or Fourth Dot, Depending |  |
| •Evening |  |
| •Everyone is Someone Else | |
| •Fool’s Gold |  |
| •The Genius |  |
| •The Haberdasher Instructs His Sons |  |
| •Home My Sister | |
| •House and Highway |  |
| •The Hundred Pieces |  |
| •Indolence |  |
| •Lesson | |
| •The Liquid Face |  |
| •A Mass Hallucination of Motels | |
| •Modern Lucrezia | |
| •Needs |  |
| •Not Our Strength | |
| •Nude Drying Herself in Front of the Fireplace | |
| •Ode Without End | |
| •The Original Face | |
| •People Who Talk to Themselves | |
| •Perdido | |
| •Prologue of the Horses | |
| •Robert Penn Warren |  |
| •Sand |  |
| •Selling Fuller Brushes in New Jersey | |
| •The Shoe or Woman With Black Stockings | |
| •Sleep Neighbors | |
| •Until We Are Pure Spirit |  |
| •The Vagrant Face | |
| •While an Old Clock Rang the Hour | |
| •You |  |