AGNI 15 Table of Contents (1981)
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| Author |
Title |
| Greger, Debora |
99 South |
| Dischell, Stuart |
Azan |
| Dischell, Stuart |
'Because Sorrow is What We Own” |
| Logan, William |
Cartography |
| Dwyer, David |
Diamond Head: instead of another elegy |
| Lindsay, Frannie |
For Someone Sitting Still |
| Logan, William |
Hard Waters |
| Epstein, Daniel Mark |
How Shall We Dress for Heaven? |
| Greger, Debora |
Leavings |
| Hadas, Rachel |
Letter to a Niece |
| Lindsay, Frannie |
The Limit |
| Lindsay, Frannie |
The Loser’s Filly |
| Klappert, Peter |
Low Sunday |
| Smith, Jordan |
Niagara, 1804 |
| Lindsay, Frannie |
Plum Island |
| Lindsay, Frannie |
Relic |
| Lindsay, Frannie |
Summer House |
| Holland, John |
Texts for Speaking Voice: Mapping |
| Holland, John |
Texts for Speaking Voice: Scientific Research |
| Holland, John |
Texts for Speaking Voice: Solo |
| Darr, Ann |
Time Zones on the Rivers |
| Lindsay, Frannie |
Timer |
| Harmon, William |
Two Artifacts, Two Metamorphoses: 1. Stéphane Mallarmé’s “Poe’s Stone” |
| Harmon, William |
Two Artifacts, Two Metamorphoses: 2. Rainer Maria Rilke’s “Likeness of My Father in His Youth” |
| Swiss, Thomas |
West Pond Road |
| Lindsay, Frannie |
The Women with Strange Names |
|
