AGNI 29/30 Table of Contents (1990)
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| Author |
Title |
| Vélez, Clemente Soto |
#18, from The Promised Land |
| Vélez, Clemente Soto |
#3, from The Wooden Horse |
| Akhmatova, Anna |
125 |
| Akhmatova, Anna |
208 |
| Akhmatova, Anna |
212 |
| Akhmatova, Anna |
389 Betrayal |
| Akhmatova, Anna |
541 |
| Agosín, Marjorie |
[Untitled] (translated from the Spanish by Elizabeth Horan) |
| Haro, Jose Elgarresta Ramiz de |
The Advertising Man |
| Hernandez, Miguel |
After Love |
| Dugan, Alan |
Against the Text ‘Art Is Immortal’ |
| McHugh, Heather |
Amniotic |
| Sacks, Peter |
Anthem |
| Borges, Jorge Luis |
Ars Poetica |
| Qualls, Suzanne |
Au Pair |
| Gewanter, David |
Bill |
| Fried, Michael |
The Blue |
| Skoyles, John |
Bryan, Ohio |
| Agosín, Marjorie |
Burial and Blaze of Pablo Neruda (translated from the Spanish by Cola Franzen) |
| Graham, Vicki |
Classic |
| Skoyles, John |
Cousin Barbara |
| Schwartz, Lloyd |
Crossing the Rockies |
| Fried, Michael |
The Dance |
| Olds, Sharon |
The Dead Body Itself |
| Turpin, Mark |
Downslope |
| Collier, Michael |
Ecanto Park, 1961 |
| Qualls, Suzanne |
Encomium |
| Turpin, Mark |
Everything Under the Sun |
| Mazur, Gail |
Family Plot, October |
| Levine, Philip |
The Founding of English Metre |
| Heaney, Seamus |
from Squarings |
| McHugh, Heather |
Glimpse of Main Event |
| Rilke, Rainer Maria |
Herbst |
| Hillman, Brenda |
His Shadow |
| Shapiro, Alan |
Home Movie |
| Ferry, David |
Horses |
| Sacks, Peter |
Houw Hoek |
| Ferry, David |
In the Garden |
| Dugan, Alan |
Know Thyself |
| Hernandez, Miguel |
The Last Corner |
| Olds, Sharon |
The Last Day |
| Grennan, Eamon |
Liberal Learning |
| West, Alan |
Light Surprised |
| Shapiro, Alan |
Marriage |
| Grossman, Allen |
Mary Snorak the Cook, Skermo the Gardener, and Jack the Parts Man Provide Dinner for a Wandering Stranger |
| Gunn, Thom |
Memory Unsettled |
| Williamson, Alan |
The Minoan Distance |
| Grossman, Allen |
Mrs. O’Leary’s Cat |
| Williamson, Alan |
November and December |
| Bidart, Frank |
Now In Your Hand |
| Grennan, Eamon |
Out There |
| Gewanter, David |
The Pardon |
| Mazur, Gail |
Phonic |
| Miller, Greg |
Poem |
| Bidart, Frank |
Poem in the Stanza of the 'Rubaiyat” |
| Fried, Michael |
The Pool |
| Graham, Vicki |
Reflex |
| Miller, Greg |
The Ringing |
| Sacks, Peter |
Sea-lion at Santa Cruz |
| Po, Li |
Seeing a Friend Off |
| Collier, Michael |
Spider Tumor |
| Levine, Philip |
Take My Neighbor |
| Graham, Vicki |
Triptych |
| Rymaruk, Ihor |
Untitled |
| McMichael, James |
untitled [1] |
| McMichael, James |
untitled [2] |
| McMichael, James |
untitled [3] |
| McMichael, James |
untitled [4] |
| McMichael, James |
untitled [5] |
| McMichael, James |
untitled [6] |
| McMichael, James |
untitled [7] |
| Clarvoe, Jennifer |
Vanity |
| Breslin, Paul |
A Visit |
| Pinsky, Robert |
Window |
| Qualls, Suzanne |
The Wrong Son |
| Bidart, Frank |
You Remain |
| Author |
Title |
| Onyshkevych, Larissa M. L. Zaleska |
Echoes of Chernobyl in Soviet Ukrainian Literature |
| Sleigh, Tom |
Editor’s Note |
| Scialabba, George |
Inside the Cave |
| Grossman, Allen |
On the Management of Absolute Empowerment: Nuclear Violence, the Institutions of Holiness, and the Structures of Poetry |
| Birkerts, Sven |
Reflections of a Non-Political Man |
| Melnyczuk, Askold |
Reply to Birkerts |
| Dischell, Stuart |
Robert Penn Warren |
| Hemschemeyer, Judith |
Translator’s Introduction, from The Complete Poems of Anna Akhmatova |
| Selinger, Eric |
William Corbett |
|
