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AGNI 42 Table of Contents (1995)
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| Author |
Title |
| Sharif, M. T. |
Chapter II, from The Public Death of Doctor Amin |
| Bauer, Douglas |
Closing Set at the Valencia, from The Book of Famous Iowans |
| Treadway, Jessica |
Consolation, from Shirley Wants Her Nickel Back |
| Berne, Suzanne |
from A Crime in the Neighborhood |
| Wilbur, Ellen |
Faith |
| Searle, Elizabeth |
from A Four-Sided Bed |
| Bell, Madison Smartt |
In the Camps |
| Gornick, L. K. |
Instructions to Participant |
| Author |
Title |
| Mathis, Cleopatra |
After the Operation |
| Dennis, Carl |
All I’ve Wanted |
| Kernan, Nathan |
April |
| Reffe, Candice |
Crazy 4 U |
| Kernan, Nathan |
Dear Ghost . . . |
| Sojun, Ikkyu |
Elegy (translated from the Japanese by Sam Hamill) |
| Reffe, Candice |
Everybody Loves the Spring |
| Sojun, Ikkyu |
Face to Face with My Lover on Daito’s Anniversary (translated from the Japanese by Sam Hamill) |
| Boisseau, Michelle |
Flesh is Air, Too |
| Fischer, Neil |
The Gift |
| Shapiro, Harvey |
He |
| Kántor, Péter |
Hungarian Fall (translated from the Hungarian by Michael Blumenthal and Eszter Fuseki) |
| Fauchereau, Serge |
L’enfer n’est pas . . . (translated from the French by Ron Padgett) |
| Fauchereau, Serge |
Les gestes qu’on peut faire . . . (translated from the French by Ron Padgett) |
| Sommer, Piotr |
Lighter, Darker (translated from the Polish by the author and M. Kasper) |
| Montale, Eugenio |
Little Testament (translated from the Italian by Michael O'Brian) |
| O’Brian, Michael |
Marcel Duchamp |
| Mlinko, Ange |
My Children Don’t Grow They Multiply |
| Sojun, Ikkyu |
My Hand Is Lady Mori’s Hand (translated from the Japanese by Sam Hamill) |
| Sojun, Ikkyu |
My Love’s Dark Place is Fragrant like Narcissus (translated from the Japanese by Sam Hamill) |
| Goldbarth, Albert |
News from Home |
| Sojun, Ikkyu |
Night Talk in a Dream Chamber (translated from the Japanese by Sam Hamill) |
| Kántor, Péter |
Once I Thought (translated from the Hungarian by Michael Blumenthal and Eszter Fuseki) |
| Dor, Moshe |
Parting |
| Balakian, Peter |
Physicians |
| Rivard, David |
Real Thing Strange |
| Benedikt, Michael |
A Retiring “Professor of Practicality” |
| Richards, Peter |
The Sea Looking On |
| Horace |
To Lydia (translated from the Latin by David Ferry) |
| Horace |
To Praise Aelius Lamia (translated from the Latin by David Ferry) |
| Horace |
To Pyrrhus (translated from the Latin by David Ferry) |
| Horace |
To Virgil (translated from the Latin by David Ferry) |
| Burnside, John |
Washing Day, Antibes |
| Fischer, Neil |
Wounded |
| Lewis, Lisa |
The Young |
| Author |
Title |
| Anderson, Scott |
E-mail from Paris |
| Goldner, Loren |
The On-Line World is Also on Fire: A Reply to Sven Birkerts’s The Gutenberg Elegies |
| Author |
Title |
| Walsh, Chris |
Austin Wright’s After Gregory: The Suspect Self |
| Share, Don |
Bruce Smith’s Mercy Seat and Martin Edmunds’s The High Road to Taos |
| Carter, Catherine |
Cathleen Schine’s The Love Letter |
| Lee, Don |
Chang Rea-Lee’s Native Speaker |
| Maxwell, Mary |
Dzivinia Orlowsky’s A Handful of Bees |
| Clarvoe, Jennifer |
Fred Marchant’s Tipping Point and Gail Mazur’s The Common |
| Corbett, William |
Joe Brainard’s Art |
| Torra, Joseph |
John Wieners: Through This Suspended Vacuum |
| Gander, Forrest |
Joseph Lease’s The Room |
| Shahid-Ali, Aga |
Luck: A Grammar No One’s Parsed |
| Rosenwald, Lawrence |
Paul Goodman |
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