The paintings which adorn the ceiling and
walls of the Sistine Chapel present so many images and allusions
that it is impossible to see and appreciate them all in any
sort of organized manner. Yet that is exactly the point of a
Core education: it trains us to interpret each layer of meaning,
to recognize the threads of tradition and allusion—Genesis
in Dante, Dante in Michelangelo, and Michelangelo in Velázquez.
The Core foundation is valuable because it teaches us to think
of these works as acts of human wisdom, feeling and creativity
which belong in a continuous timeline, rather than as isolated
works that emerge from history without context or cause.These
books are not only stories, but varying interpretations of a
theme. Core teaches us to think of themes, whether shown through
literature, art, or music; they are layered in works like the
Ptolemaic universe, each piece distinct but still part of a
greater whole.We can read Gulliver’s Travels
and feel pity for its lost and foolish narrator, or we can hear
Jonathan Swift echoing Voltaire’s and Wordsworth’s
criticism of the Enlightenment’s misapplication of reason.
What Core shows us is that these and other interpretations are
not only all possible, but are of critical importance to understanding
the spirit and role of the work.
The making of this journal has been a rewarding
if grueling experience for all of us, a journey through Purgatory
with a literary Beatrice waiting to reward us at the top.Much
appreciation is due to the members of my dedicated editorial
staff, with whom I have enjoyed making this steep climb.Thanks
also to Professor Tabatabai, for this opportunity and for his
guidance and his good-natured patience in moments of panic;
and of course thanks to Zak, our journey’s Virgil, for
his humor, his teaching, and his general embodiment of the Core
spirit.
To those students whose two years in the
Core are now coming to a close, I encourage you to take the
humanistic education you’ve been given and start making
your own interpretations of the world. Seek fame if you will
and fortune if you can, but remember your time in Core and the
heroes you have joined on their journeys. Keep Aristotle in
your pocket and remember his admonition that no one can be happy
without friends, be they living or literary.
- Erin McDonagh
(CAS '10), Editor-in-Chief
Contents of Volume
XVII, Spring 2009:
- The Malevolent Enchanter
by Ethan Rubin
- Misogyny by Zachary Bos
- How to Build a Planet
by Daniel Hudon
- The Sign and the Sacrifice
by Yuliya Belyayeva
- I Am He as You Are He…
by Elena Thurman
- Like a Bamboo by Meena
Aier
- Traveler's Woes by Alexandra
Levitskaya
- First Year Analects compiled
by the Editors
- Spiral Lines by Zachary
Bos
- A Perfectly Unreasonable Claimby
Erin McDonagh
- Viens Ici by Amiel Bowers
- The Core Hamlet by David
Green
- After Dark by Lindsey
Gould
- The Tragic Solitude of Doctor Pangloss
by Elena Baranes
- Cantdide by Mat Leonard
- The Reunion by Chloe Tuck
- Second Year Analects compiled
by the Editors
- Struck to the Core by
Mat Leonard
- Interview
with David Ferry by Erin McDonagh
- Euripides 2008 by Brian
Jorgensen
- Sanguine Shore by Jameson
Tieman
- Inspired Interpretation
by Ana Dias-Mandoly and Meena Aier with Erin McDonagh
- Genesis 3:1-4 by Zachary
Bos
- Omnipotence by Zachary
Bos
- Transforming the Epic Tradition
by Katherine Lochery
- Land of the Houyhnhnms
by Sassan Tabatabai
- S'Cores: Musical Analects of the
Core by Katherine Book
- The Literary Dating Game
by Elizabeth Perry